Tuesday, 15:00 - 17:30
Mail to: cbok [at] ucalgary [dot] ca
Course Description
This course provides a survey of Canadian poetry that has come to define the character of avant-garde writing in this country at the beginning of the new millennium. Most of these poets have been members of the Kootenay School of Writing or have been influenced by this coterie. Much of their work has gained increasing renown internationally, but remains little understood in Canada, despite the fact that many of these poets have been writing for at least fifteen years. Many of these works express a polemical awareness about the discursive ideologies that structure language itself. The course examines this poetry from a theoretical perspective and attempts to account for the lack of coherent, avant-garde tradition in Canada, despite the robust traditions that have appeared elsewhere in the world over the last one hundred years. The Canadian, academic community has generally neglected to support the cultural activity of younger writers from smaller presses, particularly when such poets do experimental work; consequently, many early books by these poets have fallen out of print, and only the most recent ones remain available; hence, the title for this course draws attention to the fact that the syllabus consists only of books published after the year 2000.
Required Reading:
Derek Beaulieu: Fractal Economies
Kevin Davies: Comp
Jeff Derksen: Transnational Muscle Cars
Rachel Zolf: Human Resources
Bill Kennedy and Darren Wershler-Henry: Apostrophe
Darren Wershler-Henry: The Tapeworm Foundry
Greg Betts: If Language
Dan Farrell: The Inkblot Record
Lisa Robertson, The Weather
Karen Mac Cormack: At Issue
Sina Queyras: Lemon Hound
[Course Kit of selected essays]